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Performance Practices in the Classical Era as Related by ~ Performance Practices in the Classical Era is a vital resource for any conductor performer or aficionado of classical music Discover Prime Book Box for Kids Story time just got better with Prime Book Box a subscription that delivers editorially handpicked children’s books every 1 2 or 3 months — at 40 off List Price

Performance practices in the Classical era as related by ~ Performance Practices in the Classical Era is a vital resource for any conductor performer or aficionado of classical music Subject headings Performance practice MusicHistory18th century Performance practice MusicHistory19th century MusicPerformanceHistory Music18th centuryHistory and criticism

GIA Publications Performance Practices in the Classical Era ~ These primary sources represent the entire time span of the Classical era writings from throughout Europe and the United States and details on virtually every type of performing medium and genre of composition common in the era Dr Shrock quotes from diaries instruction books dictionaries letters biographies and essays all written during the eighteenth and early nineteenth centuries

Performance Practices in the Baroque Era as related by ~ Performance Practices in the Baroque Era as related by primary sources Dennis Shrock Chicago IL GIA 2013 One of the primary tenets of studying historical performance practice is the significance of primary source accounts to assist in formulating either a technical or interpretive approach to the music

Performance practices in the Classical era as related by ~ Performance practices in the Classical era as related by primary resources and as illustrated in the music of Mozart and Joseph Haydn Dennis Shrock The Classical era from 1751 to the 1830s and beyond is one of the most revolutionary and creative times in the history of music

Performance Practice Doing Historical Research in Music ~ The term performance practice refers to the study of how music was performed in the composers own day Research in this area has focused especially on earlier periods like the Middle Ages where fewer other primary source materials survive but also encompasses later periods up through the early twentieth century

Contemporary and historical performance practice in late ~ transitional bows and modern bows in performance will be informed by my own practice with a copy of a 1785 bow Notation which conveys the interpretative instructions of the composer is one of the major areas of critical research of contemporary studies of the performance practices of the Classical era Slurs staccato markings and

Back to the Land Performance Practice and the Classic ~ Part of theMusicology CommonsMusic Performance Commons and theMusic Practice Commons This Article is brought to you for free and open access by the Journals at Claremont at Scholarship Claremont It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship Claremont For more information please contact scholarship

Theatre Performance Studies Primary Sources ~ Primary source is a term used in a number of disciplines to describe source material that is closest to the person information period or idea being studied A primary source also called original source is a document recording artifact or other source of information that was created at the time under study usually by a source with direct personal knowledge of the events being described

Historically informed performance Wikipedia ~ Historically informed performance also referred to as period performance authentic performance or HIP is an approach to the performance of classical music which aims to be faithful to the approach manner and style of the musical era in which a work was originally conceived